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  • Posted by Mamaemma 6 years, 9 months ago
    In AS 1, the actress who played Dagny had blonde hair, the actor who played Ellis Wyatt didn't look anything like in the book, and the actor who played Dr. Akston looked nothing like I had imagined, but all 3 of them nailed the characters and made them real. I think that's more important than one physical characteristic.
    On the other hand, Francisco in AS 3 was just too old for it to work.
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    • Posted by Lucky 6 years, 9 months ago
      Absolutely!
      Ellis Wyatt was better on the screen than in the book, both in the portrayal and the script.
      Having a black Eddie was great, it could have been a masterstroke with some good scripting.
      What I say is- get the philosophy across, do not agonize over correctness of physical appearance as in the book, nor strict following of plot lines.
      Rand's book has a strong message and makes its appeal to higher level intellects (yes, self praise is no praise, but no apology). For a mini series, go for a bigger market.
      Now, the book centered on the great minds, the top creative producers, and how attacking them causes all to suffer. That cannot be ignored but for a bigger market give emphasis to the great center, those who work with integrity and skill, who will refuse to steal, who match give and take, whose future relies on the great creatives, who also can be heroes.
      There are already enough examples in the book, Eddie of course, Gwen Ives, Jeff Allen, Cheryl, .. Give these people central roles, make Miss Ives black- show the first meeting of her and Eddie, ..
      Rand's story shows how it the middle especially that suffer from fake altruistic socialism, I would not cut this, but give the middle some hope, show how Eddie finds the trouble-shooting guide hidden in the loco and brings it in. Show how Gwen Ives reacts, heaving..
      Do not divert messages with sex, enough already, let us have some romance to remember,
      Each episode must have at least one good laugh, and a story to bring a lump in your throat or tears in your eyes.
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      • Posted by EdGoldstein 6 years, 9 months ago
        The character I would like to see emphasized is the kid assigned to Rearden's factory to control Rearden by the bureaucracy. How he was changed by seeing what life could be is something that should appeal to today's lost millennials and snowflakes.
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      • Posted by Temlakos 6 years, 9 months ago
        Just one thing about Eddie: in the book, Rand threw him away. The Eddie I saw in the movie was a lot more competent--the sort of guy who could take over that wagon train that met the stalled Comet out of Flagstaff, Arizona, and led them to Phoenix--and Dan Conway, whom Rand seemed to forget completely. Anything's better than how the book left him.
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        • Posted by Lucky 6 years, 9 months ago
          Yes. but It was deliberate, a warning,
          Rand tells us that even highly competent people get hit by the mush-headed fake altruistic socialism described.

          But if I were writing, maybe I am a sentimentalist, or maybe I want to give hope
          to that big sector of the population I want to influence, I would rescue Eddie, or
          even better devise some credible way he gets out of danger by himself.
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          • Posted by Temlakos 6 years, 9 months ago
            How do you like my scenario? Eddie realizes the danger even before he gets on that military transport. He has planned all along to make his way to Dan Conway if he had to desert the Comet in Phoenix. When, therefore, the Comet breaks down, and that wagon train shows up, Eddie suggests they cross the desert toward Phoenix. There he can look up Dan Conway, and the two of them can re-activate the Phoenix-Durango RR and drive north--toward the place mentioned on the postmark of Dagny's last postcard from Hank Rearden.

            Having said that, I wonder whether, if he were that smart, he would have announced to John Galt, whom he knew then only as "the worker," that he planned to quit after seeing Dagny off on the Comet that last time. He would know then that the real reason Hank Rearden signed away his Metal was blackmail. John Galt would then give him some kind of marching orders--anything from "stay in place" to "come with me."
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        • Posted by jimjamesjames 6 years, 9 months ago
          Though panned by a few on this site, I thought this work did a great job of answering "What happened to Eddy?" http://www.atlassnubbed.com/

          https://www.amazon.com/Atlas-Snubbed-...

          Notwithstanding it's relationship to AS, it is a great stand-alone work addressing the question: What happens after the producers quit?

          Many took issue with the title and the word "parody" in the title. Didn't bother me but here is the author's response: "As an aside, I have been informed by my Objectivist friends that the title and subtitles of this pamphlet may come across as needlessly harsh. Rest assured that my intent was to be clever, not defamatory, and how far I've missed that mark is an indication of the quality and limits of my cleverness. If anyone is offended by the titles, I suggest that you get a life! and simply get over it, lest you continue to surrender your peace of mind to every bozo who comes blathering down the pike." I like that attitude!
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          • Posted by Temlakos 6 years, 9 months ago
            I'm getting the "Director's Cut" edition. I think I'll find it a useful edition to my Ayn Rand archive. It does indeed take up where Atlas Shrugged left off. If I were producing a streaming TV series based on Atlas Shrugged, I would certainly seek to use this material to continue the story--unless the estate of Ayn Rand could come up with richer material than this. (I availed myself of Amazon.com's Look Inside offering.)
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  • Posted by Herb7734 6 years, 9 months ago
    Have you ever done anything on a shoestring? When working with a limited budget, you get limited results. There is no way to save without it showing in the production. Hiring a thousand extras is too expensive so you can go to CGI. Less red tape and income to tax, but still pretty damn expesive for a limited budget. However, don't get me wrong. I loved the movie. No, it wasn't an umpteen million $ production which is what it deserves, but the fact that it exists at all is a great accomplishment in this day and age. Is there lots to complain about? Yes. But if a better revised edition or remake happens, it will prove that, just maybe there's hope for humanity after all.
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  • Posted by $ allosaur 6 years, 9 months ago
    Blonde hair, white hat, white horse/car/airplane/choo-choo and no one will be smoking.
    (Me dino just be cutting up here).
    I still bet no one will be smoking, though.
    That cigarette brand found no where on earth will be just that for absent in the miniseries.
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    • Posted by freedomforall 6 years, 9 months ago
      No one will be smoking cigarettes, that is. ;^)
      Has anyone grabbed the $ for a trademark on pot yet?
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      • Posted by $ allosaur 6 years, 9 months ago
        LOL! Imagine all the smoking in Atlas Shrugged being the PC partaking of the glorious stench of rope ('erb) herb~
        "Hey, man! Giggle! Giggle! Giggle! Yeah, man! Ya really gots ta go deep ta trust into ya feelings, man! Who is is John Galt, man? Giggle! Giggle! Giggle!"
        Too bad the miniseries will end with heady Dagny diving her rented plane kamikaze fashion into the Gulch with John Galt carrying her dead body out of the wreckage.
        Off into the sunset with sad music orchestrated~
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    • Posted by $ Radio_Randy 6 years, 9 months ago
      It will be hard to redirect the importance that Ayn Rand put on cigarettes, in her book, without most of the actors smoking.

      God! Let's NOT use pot! We need Producers, not a bunch of stoned looters who are too lazy to walk across the floor to pick up the remote.
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  • Posted by NealS 6 years, 9 months ago
    Pertaining to "freedomforall's post I got this idea. Perhaps even some big "stars" might donate some talent, if you could get them to come out of the closet, so to speak. And maybe even get some big $$$ donations from others not willing to expose their real political views. I'm thinking along the lines of Eastwood types to be in it, and some of the old stars, even a Romney type that might be more willing to believe in a cause and take a chance. Then leak a story about collusion with the Russians in making of the film and people will flock to the the theaters just to see it. Maybe you could even get Putin to play a walk on role, like Alfred Hitchcock used to do in all his films. I think Putin would actually do it, he's kind of Trumpian himself. That would draw huge crowds just to see him in a western movie. (I doubt there is any law against it and it might cause the Pelosi's, Waters', and Schumer's to commit suicide or at least explode into some more beneficial media frenzy.

    Just think out of the box. You gotta take full advantage of opportunity, stupidity, and ignorance. GIve the people what they want, what sells. Then too, the storyline from the book is way above comprehension for so many elites. It would bore them to death because they can't understand it. The target audience needs to be those that still have some ability to learn, those that will vote. Declare the movie a deviation from the book, a partial work of fiction, with a little more "action", perhaps a little more "sex", and of course more unsolved murders (Clinton's can actually help you there) to keep their feeble minds in it. And do a "Fund Me" to help spread the word about the Russians. Make it so bizarre that the media won't/can't leave it alone, and our congressional leaders so busy investigating that it will just stir up more interest. Go for it!!! That would conclude my bucket list. Any other ideas? Anyone think Trump might do a walkon? Would that be legal, president promoting a film?
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