What would you consider the number one priority in the making of Atlas Shrugged Part III?
We want to hear from you. What would you consider the number one priority in the making of Atlas Shrugged Part III?
A. Casting
B. Getting the message of Atlas Shrugged right
C. Cinematography
D. Special Effects
E. Hiring the right Director
F. Other
Leave your answer in the comments below.
A. Casting
B. Getting the message of Atlas Shrugged right
C. Cinematography
D. Special Effects
E. Hiring the right Director
F. Other
Leave your answer in the comments below.
Previous comments... You are currently on page 20.
Both 1 and 2 were excellent in all the other aspects.
By the way call the Mouch a Mouch as that is what he is
I enjoyed Part 1. I thought Part 2 was one of the worst movies ever made. The casting was beyond terrible. It was an insult to Rand and her fans. Dagny/Samantha looked like a common, tired housewife on her way to pick up the kids from soccer practice. What would make anyone cast this actress as Dagny is absolutely beyond me. Hank was not much better. Or Francisco.
A message alone will never make a good movie. And if your movie is poor, your message will never be heard by a wider audience. Wasn't that the purpose of making the movie?
I think that Part 3 should not be made at this time.
Take the time and money to shop Atlas Shrugged as a TV series.
With all the new content needed to feed the cable and newer online producers (Netflix, Amazon, etc.), this should be a no-brainer.
The novel will be better served as multi-year series with fully-fleshed out characters including their back stories.
The first two movies were pretty bad due the limitations of movie length and weren't helped by the flatness of the script as portrayed by the mediocre acting.
If people are willing to follow long-form TV stories from 24 to Lost to Mad Men to Downton Abbey, etc., they should really get hooked on Atlas Shrugged with the right script.
As a detective/mystery story with soap opera elements and Rand's strong cast of characters, this should be an amazing blockbuster TV show.
Given the luxury of time, the story could be told in its entirety, though Galt's speech would have to edited for TV (but included as an extra on the DVDs or download!)
It would probably take 1-2 years to find the right outlet, write a script, cast new actors (and don't think there wouldn't be fierce competition for the main characters) and get the first season produced.
This would be enough time to erase the memory of these movies which were not seen by a wide audience anyway. And "reboots' are so common nowadays, that there shouldn't be much made of the transfer to TV.
I really thought that Atlas Shrugged was going to be made into a miniseries in the 70s when that genre was in its heyday. It never came to be and I thought it would never work as a movie due to the novel's length. I was resigned to the idea that Atlas Shrugged would remain as a book in print and audio.
But today's "limited-run" series have shown the appetite for quality TV if done well and I hope the current holders of the rights to Atlas Shrugged see the value and opportunity to have this great work seen by the widest audience possible.
I don;t really think that many people's minds will be changed by seeing a TV adaptation of the novel, no matter how brilliantly done, but I'd like the chance to be proven wrong.
If you had not read the book, it would be hard to follow, but it should inspire people to read the book!!!! Sp
With a story as expansive as Atlas Shrugged and with themes that run pervasively throughout the novel, it is essential especially in Part III to make sure the message of Ayn Rand's philosophy comes through with an emphasis on character strength and delivery of dialogue.
I am no cinematographer, but believe special effects should support plot & cast, not the other way around.
Can't wait for it!
I know nothing about anything involved in making a movie, so I realize that my suggestions are no better that a "wish list".
I have no concerns what-so-ever about, B.
So, that said, my top 5, in order are:
1) F: National,wide ad campaign which bluntly states that the explanation for what the Marxists in D.C. and beyond are doing can be found in ASP3. WIDE!
2) F: Screenplay - Show, don't tell! Use the medium: use the visual to provide context, not dialogue - reference the scene in ASP1 where Ellis is talking to Dagney about the rockslide: this would have been better shown.
3) E: Hire a director who understands and will implement 2.
4) D: In order to implement 2, good special effect will be needed. My opinion: the effects in ASP2 could have been better.
5) C: Again, use the medium (see 2 and 3).
So, that and $2.00 will get you a cup of coffee.
Again, thanks for asking.
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