Who Is John Galt: Hollywood Reporter Exclusive

Posted by khalling 10 years, 3 months ago to Movies
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He looks great! but I was thinking: "look ma, no hands!"


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    Posted by EconomicFreedom 10 years, 3 months ago in reply to this comment.
    >Didn't she take the name Galt from some hero she saw in a movie or read about?

    Possibly.

    There's a pro-capitalism book from 1922 titled "The Driver" by Garet Garrett, in which the lead character is a shadowy speculator named Henry Galt, who becomes a successful railroad magnate. While performing his financial wizardry away from the public eye, people ask one another, "Who is Henry Galt?"

    See:

    http://archive.mises.org/6985/who-is-hen...

    (It's available, I think, as a free PDF download, as well as an mp3 audio-book. It might be on the Mises site.)
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  • Posted by rlewellen 10 years, 3 months ago in reply to this comment.
    I think we need women's men.Apeal to men is not enough, Heston would be a great choice. I thought Grace Kelly for Dagny.
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  • Posted by Temlakos 10 years, 3 months ago in reply to this comment.
    William Holden.

    Dagny Taggart: Faye Dunaway

    The Wet Nurse: Jimmy Stewart

    Robert Stadler, PhD: Claude Rains

    Mr. Thompson: John Fiedler

    Wesley Mouch: Fred MacMurray

    Floyd Ferris, PhD: Peter Cushing
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  • Posted by rlewellen 10 years, 3 months ago in reply to this comment.
    Didn't she take the name Galt from some hero she saw in a movie or read about?
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  • Posted by $ minniepuck 10 years, 3 months ago in reply to this comment.
    in the earliest draft of my first novel, i didn't include any physical descriptions for my protagonist. my intention was to step out of the way and have the reader place anyone, including themselves, into the role. i found that the lack of guidance made most people uncomfortable. i wasn't expecting them to be so bothered, but the piece was said to be too "experimental" and "literary". the literary tag didn't bother me, but i didn't enjoy making the reader squirm for the wrong reason. on the other hand, classical writers described every little thing. i don't think modern writers, except those already super accomplished (Chabon) and others that write literary novels, can get away with this anymore. a balance needs to be struck. i think you did a good job with your thriller. i wished I had gotten a bit more description of rangar in the first chapter, but the setting descriptions worked very well. i also really liked that you guided the reader as to the reporter’s ethnicity. when I read that, her character really came alive in my mind’s eye.

    i’ve read some articles criticizing Rand’s use of description. i was wondering what kind of conversations she had with her editor. it turns out her editor didn’t like her style, either, and worked with her because she paid the bills. personally, i like the way her novels were written. they’re unique because they don’t come from a native english speaker, and she had to work hard to get across her vision of a character or place without devoting ten pages to each. she had to learn to be succinct and keep only what was important. for this reason, i paid a lot attention to what she did leave in the novel. i imagine that since she said ragnar is blonde and blue-eyed, then it’s important the reader see him that way, too, for whatever reason. i can just imagine someone walking up to Rand and saying, “ragnar? oh, yeah, that short, dark-skinned guy with the brown eyes. if he’s a pirate, why doesn’t he say, ‘arrrrgh’?” the rand in my head (the wide-eyed one I created in my bitstrip pieces) would yell something about words having precise meanings and bitch slap the person. that’s probably not what would have happened in real life, though…
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  • Posted by 10 years, 3 months ago in reply to this comment.
    as a new writer, I know that I wanted to give as little as possible-but it still ended up including hair and eye color and build. Others seem to have paid more attention to Rand's physical descriptions more than I did-outside of those descriptions which conveyed attitude-like standing erect or pinched mouth-that kind of thing. So hair/eye color/ethnicity to me aren't important in making a movie unless unless the setting is period-which AS is not. In PoJ we had one character, the reporter, described as eastern ethnicity-Indian and there were some story points that related back to her ethnicity-just like Francisco and Ragnar do. But everyone else-
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  • Posted by Temlakos 10 years, 3 months ago in reply to this comment.
    John Galt *did* give Dagny Taggart a driving tour ouf the Gulch in a convertible. But the care beloned to Midas Mulligan, who rented it out to Galt at the rate of a quarter-ounce of silver per day.

    Yes, he does look good. Of course, back when I read Atlas for the first time (1978), I'd pictured Peter Graves playing him--and Chuck Connors playing Ragnar.
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  • Posted by Hiraghm 10 years, 3 months ago in reply to this comment.
    Why, cause they're goofy looking? They're still men's men (man's mans?)

    I left out William Holden, though I picture him as more of a Rearden type.

    I pictured Alan Ladd talking to Brandon Dewilder in "Shane", I pictured George Peppard talking to Elizabeth Ashley in The Carpetbaggers, or talking to Jean Simmons in Rough Night in Jericho, Robert Taylor talking in just about anything he made, Tyrone Power talking to Maureen O'Hara in The Black Swan, Clark Gable talking to... well shit... Leslie Howard, Olivia D'Haviland, or even Vivian Leigh at the end of Gone With the Wind, and Humphrey Bogart talking to Ingrid Bergman or Claude Rains in "CasaBlanca", and translated their delivery to the John Galt speech.

    Frankly, I think Sean Connery, Peter O'Toole or Charlton Heston would have been scary as Galt.
    Picture Connery explaining the Quickening to McLeod in "Highlander", Peter O'Toole arguing over the definition of madness in "Man of La Mancha", or disowning his sons in "The Lion in Winter"... or Heston... oh Heston... thundering away at E.G. Marshall in "The Buccaneer", or demanding his people's freedom in "The Ten Commandments", or arguing with the Pope about art in "The Agony and the Ecstasy" (playing the original Objectivist).
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  • Posted by 10 years, 3 months ago in reply to this comment.
    the movies have brought thousands to Ayn Rand and Atlas Shrugged. Don't ignore that point. it's a biggie.
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  • Posted by Hiraghm 10 years, 3 months ago in reply to this comment.
    Cause y'all are going to be doing what you're doing; going on about how great this latest cast screwup is. Without the movies, half the raison d'etre for this place is gone.
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  • Posted by Hiraghm 10 years, 3 months ago in reply to this comment.
    Alan Ladd, George Peppard, Robert Taylor, Tyrone Power, Clark Gable, Humphrey Bogart...
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  • Posted by LetsShrug 10 years, 3 months ago in reply to this comment.
    Well...they weren't asian. :) (and I thought they were both blonde.) Hmm so far I think everybody is blond..except for Roark. lol
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  • Posted by Lucky 10 years, 3 months ago in reply to this comment.
    I do not recall any background for Galt.
    Cannot be Asian, would confuse, but it should confound stereotypes - the need is tall, thin, internal strength, integrity, mystery, so that is why I suggested a NorthAmerican native.
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  • Posted by 10 years, 3 months ago in reply to this comment.
    I suppose if their ethnicity was incorporated into the story. Description alone, which writers do so the reader can begin to visualize a character, should not over-power the narrative of the story. Some of Rand's main descriptor's are to physically embody human traits. Which you could do with any ethnicity-like corpulent and beady eyes for example. The only other one (francisco is francisco) I can see making a case for keeping the ethnicity for and even this character I could see changing is Ragnar. I say this because Rand had a romantic notion of vikings and Ragnar fits that description. My point is blonde/brunette-who cares? I can't even remember what color hair Dagny and Dominique had. I pictured Dagny with dark hair and Dominique with blond hair.
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