(48) Star Trek: Discovery is Truly God Awful (Spoilers)
A little afield, but interesting, in that this guy clearly shows just how involved the left gets in trying to make any vehicle a propaganda piece, and why the new ST series is actually extremely racist, bigoted and a clear violation of all they keep crying over.
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I agree with your observation, mcc.
Having watched the 3 episodes, in my opinion it is poorly written, poorly acted, has extremely bad camera work, and the writers and cast are vehement in their irrational bias against the morals, iintegrity, and ideals that moved civilization from the Dark Ages to individual liberty and free markets eschewing all the advances in health, nutrition, technology, and the pursuit of happiness.
But the SJW agenda became part and parcel of Star Trek with the Next Generation show. Picard, on two separate occasions, tells denizens of the twentieth and twenty-first centuries that the scarcity economy is obsolete and no one has to work for a living. When Captain Kirk told Korob and Sylvia (S02E08, "Catspaw") that "we run these [precious gemstones] off by the ton!", you could overlook that. But not "In our time, men spend their time improving their minds, not their wealth." Then, too, the Ferengi are a very travesty and caricature of capitalists and capitalism. And now, as the original videographer says, the Klingons are now become a proxy for Afrikaners and American Southern whites!
But--oh, have I plans. I plan to retell the story of the American Revolution, set 400 years into the future, from several points-of-view. Including an autistic savant who finds himself imprisoned--on a psych ward--for displaying American Revolutionary tendencies. When someone accidentally wakes him up...!
What popped into my head when I first read the quote was my experiences in China when I worked and lived there for a time. That is, I never would have the same idiotic thought process as Abrams as I attended various entertainment events and, to paraphrase Abrams, start thinking: “you look around the room and see the most Chinesest f—king room in the history of time. It’s just unbelievably Chinese.” Hey wait… without having to fire up too many brain cells I knew I was IN FREAKING CHINA, a predominantly Chinese country (duh) attending events that a lot of Chinese people like to attend. Just exactly what the hell faces would one think to see there? Obviously Abrams brain cells have been rotted through and through with his own PC propaganda and couldn’t muster enough remaining cells to realize he was in the USA, a predominantly white nation, attending an event that a lot of white people like to attend. Nothing nefarious or racist about it. [Side note: I had a great time, as short as it was, working and living in China. Wonderful folks! I’m retired now, but wouldn’t mind returning as a tourist.]
I think his quote tells us more about Abrams than anything else. He is a self-hating self-deprecating white liberal and has been thoroughly brain washed into becoming a PC advocate. He just can't help himself, suffering with PC cataracts to view the world through.
Just hypothetically thinking I wonder what Abrams would do if he were to go to China to help put together a sci-fi series for consumption in China. After attending an event in a Shanghai theater, would he walk out in a self righteous huff and deliberately exclude Chinese from the cast just to teach them a lesson in American liberal “diversity”? I suspect he’d be fired for such idiocy and find himself on a plane back to his Hollywood left wing ideological cesspool.
The other one which I think pretty accurately portrays how things could be is Firefly.
But enough of the standard complaints. Here are the ones I haven’t heard yet elsewhere.
1. Many shots were framed at Dutch angles, so what were those for? Showing that the main characters shouldn’t be trusted? Or that the ship was to feel disorienting.? Or that the whole show should feel unsettling or unpleasant?
If you’re not familiar with the term Dutch angle, it’s where the camera frame is at an unusual angle to horizontal/vertical. It makes the viewer feel disoriented or suggests something disturbing about the characters shown off kilter. Watch the classic movie, “The Third Man,” where all the decent, honest people are always shown upright. All the creepy people and lying criminals are literally “not on the level”.
2. While I’m okay with all the Klingons speaking in their subtitled language, it has to be spoken at realistic speaking speed. The director should require that the actors know their transliterated lines well enough to speak them realistically. Not slooowwwwed waaaaaayyyy dooowwwnnn, just because Klingon is full of gutturals and glottal stops. There’s no reason to allow weak actors who can’t say their lines.
I couldn’t imagine a performance of The Pirates of Penzance, where an actor trudged along through the normally rapid-fire Major-General’s Song, with such lines as, “Then I can write a washing bill in Babylonic cuneiform, And tell you ev’ry detail of Caractacus’s uniform.”
The director (or show runners) are as incompetent as the too-slow actors. But we already knew that.
Whittaker Chambers was wrong. Ayn Rand did not "plump for a technocratic elite." She came down hard against all elites--against all who thought they could made decisions for others and enforce those decisions without the consent of those others. In the Borg you see the logical endpoint of a technocratic elite--or rather, of the mind-set of a technocratic elite, coupled with a technology, offered as a cure, with the power to enslave.
In the meantime, I'm still watching, but for a lifelong fan like me it requires a hell of a lot of cognitive dissonance to overlook things like that Spock tells Chekhov in the original series that there's never been a mutiny aboard a Starfleet vessel, only to learn now that ten years before this his own foster sister was famous for being a mutineer that started the Klingon War.
I guess I can keep hope that the writers are aware of this and have some sort of exceedingly clever explanation by the end. But given the repeated descriptions of chaos during the show's development, that's a pretty thin hope indeed.
All that said, I'm enjoying The Orville a lot more, and apparently that's the reaction of an awful lot of longtime fans.
Also loving a lady First Officer's first name~Michael. Allo-sissy-saur woo woo signing off.
Hey, Target. where's the ladies room? I'm feeling female today and I like scaring little girls.
B5 had a similar opening plot.
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