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I know. I wasn't clear on that. I meant this sounds like something Republicans would say about Democrats. The show didn't portray the aid from the Caretaker as fixing the Ocampa's problems, and they all lived happily ever after. It showed them becoming dependent on the Caretaker for their basic needs and also unable to defend themselves.
Oh, I did not down vote your post. I would never down vote anyone having a civil discussion expressing their views and I appreciate your views and the time you take to express them. You have a much more detailed memory of the series than I do because mainly what I recall is it was a crappy show with a crappy PC message that only used the "Star Trek" moniker to get people to watch it.
I meant it sounds like a Republican message. As it is it reads like I'm saying Republicans create dependency, which is not what I meant.
I know very few Republicans, but this sounds like the Republicans before their deplorables came out of the shadows: Out-of-touch experts want to help people based on past crimes. They accidentally create a "zoo" dehumanizing and robbing the dignity of the very people they want to help. The result is the people cannot provide for themselves or protect themselves. Fortunately, Janeway's ship is well-armed. She destroys the Caretaker's facility and fights off the Kazon.
Have to run...
I heard different, that when they were casting Voyager they were looking for a Robert Duncan McNeill type and couldn't find a satisfactory one. They finally decided to use McNeill himself even though he had played a different character on Next Generation. Royalties wouldn't enter into the picture, he would be entitled to the same royalties for reruns regardless of which character he played.
I heard he was supposed to be Wesley's flight squad commander, Locarno, in The First Duty who lied to cover up the death of a student doing a daredevil maneuver. They made it a different character to avoid paying royalties or something. In The First Duty, Locarno takes full responsibility for the accident, when he could have tried to pass the buck. So he comes off a good person who made a mistake. Paris said he went to jail for not telling the truth, so I think of them as the same character.
Later in the show Paris really becomes a character who's good at everything: flying the ship, engineering, part-time medic. At least once I can remember them exploiting the trope where the white male is ignorant of prejudice, but the time I'm thinking of actually worked for me. It was funny, not a public service msg.
I wonder what they were trying to say with Harry Kim, who never progresses in rank and often is the butt of plots where he's the new, inexperienced, uncouth guy. Janeway seems overbearing and autocratic. Tuvok is annoyingly arrogant. I don't think they were making comments about Asians, women, or African Americas with these characters.
They do go overboard with the Chakotay Native American thing. He's kind of a mix of many tribes and stupid stereotypes. They play that Native music, and his mumbo-jumbo turns out to be right.
All in all, though, the show is just not that good. You might watch Threshold to see it dip into so-bad-it's-good territory.
"I wonder if you'd bonk me on the bean with my bottle of Guinness within the first half hour. "
No, I like nit-picking and disagreeing about Star Trek. The only way I had g/fs in high school was I went to a school for nerds.
He cannot come to terms with the loss of his wife, and he ends up finding peace in the Bajoran religion, which his superiors in Star Fleet either ignore or are concerned might affect is loyalty. Contrary to seeking to line up Federation aid to make Bajor a client state, he at one point urges their gov't to sever ties with the UFP to prevent their being invaded again. The show present Bajor and Sisko as religious and the UFP is atheist, and it does a good job of staying out of the issue. In the first season it presents some religious people as violent extremists, but it presents atheists and non-extremists religious people working together.
Ha, it would be interesting if you and I could kick back and watch the first episodes together and offer our comments. I wonder if you'd bonk me on the bean with my bottle of Guinness within the first half hour. LOL!
I never saw that at all. When you say "diversity" in the 90s political context, I think of working with people who look different or have radically different life experiences. The Maquis were a militant separatist group. I hope the writers weren't saying this is an allegory for having co-workers who are black or gay.
"the "environmental disaster" of the planet caused by an alien finally represented as a white guy farmer, so obviously meant to be a depiction of a Hollyweird liberal's idea of a conservative Republican,"
What? I'll have to watch it again. I remember it being completely different. There were two aliens who had the power to move ships long distances, a male and female. They made some mistake that hurt the Ocampa. They felt obligated to support the Ocampa for life. The Ocampa became weak as a result. The female alien left. The male alien was dying of old age and was trying to find a way to keep his ship from falling into Kazon hands and to save the Ocampa who had become completely unable to support themselves. This show came out just after the Republicans took over Congress with their Contract with America. One of the key Republican messages at the time was scaling back Welfare programs, which they said created dependence and a cycle of being victims, just as in the show. In this context, the show has a Republican message. I don't have any reason to think they were responding to politics. I think the show had nothing to do with politics.
Clearly in DS9, the major powers are presented as bloated empire. I liked the way DS9 handled this. The UFP was not always right or the Maquis always wrong. I wish they had continued that in Voyager, with some conflict in which the Maquis have good points. Captain Janeway could have recognized these points and acquiesced but been afraid her authority was being undermined if she looked like she was giving in too much, even when the Maquis were right.
For whatever reason I never felt the sense of being stranded far from home on a ship with rebels. When I watch the reimagined BSG, I can accept they're a group of humans on the same side who don't agree on everything stranded in hostile territory. I never felt that with Voyager.
Add to this - his distinctive facial tattoo - was (to me) grabbing at another group - the Maori - who fought fiercely against yet another overarching and conquering empire - this time, the British.
With that one character, I realized that either the writers were saying the "good federation" was really a bloodsucking leech of a dictatorial empire... or the writers never put 15 seconds of research (about things I remembered from my Sophomore World History class) into the real message they were (perhaps unwittingly) espousing.
Regardless - the way they ended Voyager, bringing in deliberate time manipulation, was, to me, a cheap and schlocky device because no one had a clue how to do a decent ending... or would put in the work to craft one. Kate Mulgrew - the Buns of Steel - ended up in the right place much, much later in her career (playing opposite Taylor Schilling) for being part of this "crime against good scriptwriting"...
Saw a large hostile alien spacecraft get booby-trap destroyed by some kinda time warping quickie grow redwood tree.
I'll be checking the whole thing out next Sunday.
I'm thinking Debbie Schultz...
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