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Previous comments... You are currently on page 2.
people say that Rand wrote "The Night of January 16th"
and found that it is said to have been written in '33
and put on Broadway in '35. more if I find it. -- j
it's a discrete 44.1 or so kHz;;; with the vinyl, it's
very likely nearly infinite -- at least during the calm
passages. you can hear the graininess of a CD if
you do an a-b comparison!!! -- j
duty!!! -- j
Rand with her mind and Hendrix with his axe!!! -- j
...
"Emotionally, Ideal is unique among Ayn Rand's works. It is the polar opposite of 'Good Copy'. 'Good Copy' was based on the premise of the impotence and insignificance of evil. But ideal focuses almost exclusively on evil or mediocrity (in a way that even We the Living did not); it is pervaded by Kay Gonda's feeling of alienation from mankind, the feeling, tinged by bitterness, that the true idealist is in a minuscule minority amid an earthful of value-betrayers with whom no communication is possible. In accordance with this perspective, the hero, Johnny Dawes, is not a characteristic Ayn Rand figure, but a misfit utterly estranged from the world, a man whose virtue is that he does not know how to live today (and often wanted to die). If Leo feels this in Soviet Russia, the explanation is political, not metaphysical. But Johnny feels it in the United States."
"In her other works, Ayn Rand herself gave the answer to such a 'malevolent universe' viewpoint, as she called it. Dominque Francon in The Fountainhead, for instance, strikingly resembles Kay and Johny in her idealistic alienation from the world, yet she eventually discovers how to reconcile evil with the 'benevolent universe' approach... Dominique does learn it; but Kay and Johnny do not, or at least not fully. The effect is untypical Ayn Rand: a story written APPROVINGLY from Dominique's initial viewpoint."
...
"Despite its somber essence, however, Ideal is not entirely a malevolent story.... The ending, moreover, however unhappy, is certainly not intended as tragedy or defeat. Johny's final action is ACTION -- that is the whole point -- action to protect the ideal, as against empty words or dreams..."
Much more commentary accompanies the play in The Early Ayn Rand.
http://www.mofi.com/
Check them out...you will probably find some of your treasured titles offered!
P.S. I have a Mobility Fidelity Lab copy of the Stone's Sticky Fingers, that would make you cry like a baby...!
I have quite a few of my favorite albums in both, and some of my favorite vinyl's duplicated in that super expensive Mobile Fidelity Lab releases (Japanese virgin vinyl, and digitally remastered).
Bottom line was that it was too seductive to buy the Sony CD player that held 300 albums, and you can put it on 'shuffle' and go to Nirvana...!
I still play my vinyls when I get in the mood, and always think to myself just how 'sweeter' the sounds are.
One of my computer programs will add (supposedly) the 'pops' and 'ticks' of a vinyl track onto a stark digital song track. I have never tried it.
The same program will remove the inherent tape hiss when you copy an analog tape to digital...that I have used quite a bit!
The biggest problem with vinyl is that it uses a mechanical process which degrades the record (and the stylus, but much less so and at a far slower pace).
You would think that some genius would create a laser based "stylus" that would capture the analog signal and impart the mechanical distortions, thus giving the "sound" of a record and the durability of a CD. Heck, you could probably do this with a digital CD if you had an algorithm of the mechanically caused distortions.
But...I will be the first to buy a copy!
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